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John Constable’s Salisbury Cathedral masterpiece to be shown in city that inspired him.
Painter’s 1831 work completed after his wife’s death is centrepiece of new exhibition at Salisbury Museum.

Salisbury Cathedral from the Meadows was bought by the Tate for £23.1m. Photograph: Graeme Robertson for the Guardian
After 185 years, the trees around Salisbury Cathedral have grown taller and thicker, shrouding all but the magnificent tower and spire. But, remarkably, the water meadows are still as lush and unspoilt as they were in John Constable’s day.
This is the view, including the shallow stream that draws the eye toward the magnificent cathedral, painted by the acclaimed British artist in one of his most important and best-known works, Salisbury Cathedral from the Meadows. And for the next six months, there is a rare opportunity to compare masterpiece and present-day view within a few minutes’ walk.
The painting, finished in 1831, is going home to the city for which Constable had a special affection, as part of a five-year tour, taking in Wales, Scotland and East Anglia. From Saturday, people will be able to see it at the Salisbury Museum in the cathedral close, alongside dozens of other paintings, watercolours, etchings and drawings of one of the country’s most awe-inspiring buildings.
“We are very excited that we’re displaying Constable’s masterpiece in the city that inspired him,” said Adrian Green, the museum’s director. “The museum is located opposite the cathedral, backs onto the water meadows and is adjacent to where Constable stayed in the close – so one can literally walk out into the canvas and see a landscape that has changed little since Constable’s time.”
Salisbury Cathedral from the Meadows is one of a series of 6ft canvases painted by Constable. Encouraged by his close friend and archdeacon John Fisher, who lived in the cathedral close, he began to make sketches for the painting while grieving for his late wife Maria.
“Constable drew Salisbury Cathedral many times from different viewpoints,” said Gracie Divall of the Tate, which owns the painting and organised its tour around the UK. “It was the place he visited most outside his home in Suffolk. But this painting is seen as one he poured his emotion into, rather than just depicting what he saw in front of him.”
The turbulent sky provoked much comment when the painting was first exhibited; one Morning Herald reporter remarked that “the sky is in a state of utter derangement”.
Meteorologists have pointed out that the rainbow depicted in the painting would be impossible given the cloud formations. However the Tate has commissioned new meteorological research, to be published this year, which suggested that a rainbow over the cathedral was not beyond the realms of possibility.
“Constable was using the weather to tell a story,” said Divall. Some have interpreted the storm clouds as a reflection of the painter’s turmoil at his wife’s death; others suggest they reflect the storms surrounding the Anglican church – in which Constable was an ardent supporter of tradition against reform – at that time.
The painting was bought by the aristocratic Ashton family in 1850 but was on loan to the National Gallery for many years. When the family decided to sell a few years ago, the National Gallery was already committed to buying works by Titian in the most expensive purchase in its history.
The Tate stepped in, raising £23.1m to buy the Constable, described by the gallery’s director, Nicholas Serota, as “one of the great masterpieces of British art”.
A delicate cleaning process in 2013 “made a huge difference to the vibrancy of the work”, said Divall. “There was a lot of staining, mostly nicotine, from when it was in private ownership and from when people were allowed to smoke in galleries. The painting wasn’t glazed.” The cleaning process had revealed details such as a cow in the bottom left of the painting, she added.
The painting has returned to Salisbury once before, in 2011, when it attracted about 36,000 visitors. The new exhibition runs until 25 March.
Article extracted from The Guardian
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Salisbury Museum Festival of Archaeology Planned in Salisbury. July 2015
Salisbury Museum, home of the Wessex Gallery of Archaeology, is hosting a new Festival of Archaeology during the weekend of 18/19 July 2015.
The grand opening of the new Wessex Gallery attracted 2,241 visitors in the space of 6 hours on the 12th July last year. The
gallery is beautifully designed to display many important finds from the Stonehenge World Heritage sites and England’s “Valley of the Kings”.
Alex Langlands, archaeologist and presenter of BBC TV’s Wartime Farm said, “With Stonehenge, Avebury, Old Sarum and the cathedral at Salisbury, there are few counties in the south of England that boast a better line up of archaeological sites. However, as an archaeologist, the real jewel in the crown for me is the Salisbury Museum.
“Following enthusiastic responses to the Wessex Gallery from both public and press, the museum has planned this larger Festival, fuelled by a passionate ambition to inspire further public engagement in archaeology. The Wessex Gallery, led by energetic museum Director Adrian Green, has set its sites to become a major international resource at the centre of England’s ancient archaeological heartland.
“The Festival falls within the ‘Digging Season’ and before the schools summer holidays. The weekend will include presentations and lectures, set against a big showground event. Leading figures in the British archaeology community will be present to debate, make presentations and engage with the public.
“Tucked away in the cathedral close, the Salisbury Museum is an absolute treasure trove of archaeological goodies. In particular, the Wessex Gallery is a hugely impressive exhibition that will have any visitor beguiled. I’m really looking forward to the Festival weekend that the museum is hosting.”
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Salisbury announced as one of the top ten cities to visit in the world.
SALISBURY has been announced as one of the top cities to visit in the world by the guidebook Lonely Planet in its latest edition – Best in Travel 2015.
The highly influential book predicts the world’s hottest trends, destinations and experiences for the year ahead. It highlights the top 10 countries, cities and regions to visit in 2015.
Salisbury features seventh on the city list, above Vienna and Toronto, whilst Washington DC takes top spot.
VisitWiltshire’s CEO David Andrews said: “We are delighted Lonely Planet has recognised Salisbury as one of the Top 10 Cities in the World to visit.
“We are extremely proud of Salisbury’s history and heritage such as Salisbury Cathedral and Magna Carta, as well as our arts and culture, shopping, food and drink and nightlife. Salisbury is also a great base for visitors to experience popular attractions further afield such as Stonehenge, Avebury and our White Horses.
“Here at VisitWiltshire we are focused on growing the county’s visitor economy by raising awareness to increase tourism visits and spend.”
The leader of Salisbury City Council Andrew Roberts welcomed the news and is looking forward to a boost in tourism in 2015.
He said: “I am very pleased with the news. I think that Salisbury is a great place to visit and hopefully tourists will want to come to the city in 2015.”
With Salisbury Cathedral set to celebrate the 800th anniversary of the Magna Carta the book calls visitors to see a “quintessentially English city”.
Lonely Planet’s Best in Travel 2015 contributor Tom Hall said: “We included Salisbury in this year’s Best in Travel Top 10 Cities list because it deserves to be recognised as one of the UK’s most important destinations for travellers next year.
“Bursting with history, top class restaurants, atmospheric nightlife and a host of festivals planned for 2015, we believe Salisbury is a must-see for domestic and international travellers alike.”
The full list is below:
- WASHINGTON, DC, USA
- EL CHALTÉN, Argentina
- MILAN, Italy
- ZERMATT, Switzerland
- VALLETTA, Malta
- PLOVDIV, Bulgaria
- SALISBURY, UK
- VIENNA, Austria
- CHENNAI, India
- TORONTO, Canada
by Alex Rennie, Reporter (The Salisbury Journal)
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